"I used to dress musicians who really move in the clothes," Elise Øverland explained backstage before her Spring show. "A stagnant presentation didn't make sense." The designer aimed to expand her go-to palette of black and bone with "color that doesn't seem like color." They ranged from the quiet calm of a gorgeous rose-nude perforated lambskin dress, high-necked but back-baring, to the glam attitude of a peachy metallic leather blazer and silk trousers. But of course, despite lighter moments like a cream spotted crepe jumpsuit or a white leather jacket and dress, there was still lots of black, seen not only in leather but also in glazed organza with sequins.
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